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And then I was a kind of producer who you would call in to fix problem situations or to do ambitious stories and so that was what I did. I was just like a favorite producer of the people who manage the place and got sent on a lot of great assignments and worked. I produced Robert Siegel and Renee Montagne and Scott Simon and various reporters on various kinds of very ambitious projects and trips.And then when I was almost 30, I decided that I wanted to try to be a reporter myself, and I was not good at it.Driven native-born Americans out of jobs, brought up the crime rate, driven down wages? Let’s just, just go in and just—is it factually true?And it turns out, some of those things are true, and some of them aren’t.And then there are certain places that I need people to jump out and give me the big picture idea of this story which in this case is is Jeff Sessions right about this town? And if he’s not right, what is he not getting exactly right?And there’s a bunch of like “Big Idea” questions, too.Like it would take me like a month to do a story that would take a normal reporter like three days.
So this is like one of those projects which is like, it takes us months to do. But even there I’m going on with a plan of “there’s a bunch of stories I want to get you to tell me.” I have no idea what the answer to these questions are.Like honestly like one of the things that I learned we have to teach people is to decide what tape they need before they go out to get the tape, and then to know when they’ve got it.